Samuel
Makes Friends
By Jacob Juntunen
By Jacob Juntunen
(SAMUEL sits at a computer, not typing. MEL, a young
woman, enters.)
MEL
So write your play.
So write your play.
SAMUEL
I don’t think I’m ready.
I don’t think I’m ready.
MEL
It’s almost midnight.
It’s almost midnight.
SAMUEL
I know, Mel, but I haven’t figured out any interesting twists, or—
I know, Mel, but I haven’t figured out any interesting twists, or—
MEL
You’ve been thinking about it for years now—
You’ve been thinking about it for years now—
SAMUEL
I know, but this scene, I mean, this whole relationship eludes me, and you’re no help—
I know, but this scene, I mean, this whole relationship eludes me, and you’re no help—
MEL
This is my fault now?
This is my fault now?
SAMUEL
Well, yeah, I’d say you share some of the blame—
Well, yeah, I’d say you share some of the blame—
MEL
Who’s the playwright here?
Who’s the playwright here?
SAMUEL
And I’ve got to write something by midnight, and at this rate it’s going to be one of those crappy plays about not being able to write a play—
And I’ve got to write something by midnight, and at this rate it’s going to be one of those crappy plays about not being able to write a play—
MEL
So writing the actual scene you want to write will be worse than that?
So writing the actual scene you want to write will be worse than that?
SAMUEL
I at least have a little twist for my “why can’t I write” play.
I at least have a little twist for my “why can’t I write” play.
MEL
Involving me? Is that why you’re calling me Mel?
Involving me? Is that why you’re calling me Mel?
SAMUEL
Yeah.
Yeah.
MEL
Pathetic. You really mean to tell me you don’t have enough
inspiration to write about Didi? It’s even her birthday, you know.
SAMUEL
She’s a character.
She’s a character.
MEL
Well you gave her today as her birthday, so—
Well you gave her today as her birthday, so—
SAMUEL
I’ll do it tomorrow.
I’ll do it tomorrow.
MEL
After your seven hour faculty meeting?
After your seven hour faculty meeting?
SAMUEL
Wednesday, then?
Wednesday, then?
MEL
You’re going to have to pound something out about Didi soon, submission deadlines are coming up—
You’re going to have to pound something out about Didi soon, submission deadlines are coming up—
SAMUEL
I can always submit next year.
I can always submit next year.
MEL
Yup. You can always just write it next year, too. Just sit here, blame me, don’t write—
Yup. You can always just write it next year, too. Just sit here, blame me, don’t write—
SAMUEL
Just get off my back!
Just get off my back!
MEL
You want me to go?
You want me to go?
SAMUEL
I didn’t say that.
I didn’t say that.
MEL
Cause I can go. If you don’t need your little “Mel.”
Cause I can go. If you don’t need your little “Mel.”
SAMUEL
How am I going to write a tragedy without Melomene?
MEL
You won’t.
You won’t.
SAMUEL
So help?
So help?
MEL
On some self-indulgent shitty why can’t I write, oh, boo hoo, play?
On some self-indulgent shitty why can’t I write, oh, boo hoo, play?
SAMUEL
Sing, oh Muse, about the tragedy of Didi O’Connor—
Sing, oh Muse, about the tragedy of Didi O’Connor—
MEL
I am, but you’re too scared to listen. Call me when you’re actually ready.
I am, but you’re too scared to listen. Call me when you’re actually ready.
(MEL leaves.)
SAMUEL
Sorry, Didi. But happy birthday anyway.
Sorry, Didi. But happy birthday anyway.
Jacob is head of
playwriting at Southern Illinois University, Carbondale.
Read his full lengths here.
Read his full lengths here.
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